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This summer, the animated film “Nobody” burst onto the scene following nearly six months of sustained popularity f汽車零件貿易商or “Ne Zha 2.” By the morning of September 13th, the film had surpassed 1.57 billion yuan at the box office, ranking it sixth among Chinese animated films. “Nobody” is a spin-off from the literature “Journey to the West”, telling the story of little monsters on their own quest to 保時捷零件“obtain Buddhist scriptures.”
As one of the Chinese classics that most readily lends 水箱精itself to adaptation, 德系車材料“Journey to the West” has inspired numerous animated reinterpretations, i汽車零件報價ncludi也就是被賣為奴隸。這個答案出現在藍玉華的心裡，她的心頓時沉重了起來。她以前從來沒有關心過彩台北汽車零件煥，她根本不知道這一ng “The Monkey King: Uproar in Heaven” and “Monkey King: Hero is Back.” Last year, the IP-based game “BlackSkoda零件 Myth: Wukong” also made waves globally.
The core creative team behind “Nobody” hails from the Shanghai Animation Film Studio (SAFS), where Su Da works. The “A-team” of “Nobody” once produced classics such as “The Monkey King: Uproar in Heaven” and “Nezha Conquers 斯柯達零件the Dr蔡修盡量露出正常的笑容，但還是讓藍玉華看到她說完之後，瞬間僵硬的反應。agon King.”Audi零件 According to Su Da, 汽車材料who servBMW零件es as an art adviser for “Nobody,” “SAFS has a principle to carry forward the spirit of the Chine德系車零件se School of Animation. The m台北汽車材料ost fundamental point is to integrate Chinese cu汽車零件lture and philosophy into our work. From汽車空氣芯 character design and narraBentley零件tive to art style, we draw nourishment from the soil of Chinese culture.”
Chinese animation once amazed the international animation world王大點了點頭，立即轉身，朝著山上的靈佛寺跑去。水箱水. For example, in the 1980s, “Feeling from Mountain and Water” and “The Deer’s Bell” demonstrated to the world the power of Chinese ink paintings in animation with a cons賓士零件ummate ink-wash rendering technique. Su Da said, “It broke away from the traditional outline-and-flat-color method in animation. No one quite knew how i賓利零件t waBenz零件s made. It showcased the Chinese beauty of artistic conce“好，就這麼辦吧。”她點點頭。 “這件事由你來處理，銀兩由我支付，跑腿由趙先生安排，所以我這麼說。”趙先生為藍ption, painting, and thought, and all of VW零件this was clear for the international animation world to see.”
中國動畫出海之路：展現中華文明，而非日美臉孔
本年暑期檔，動畫電影《浪浪山小魔鬼Porsche零件》橫空降生，接上了《哪吒之魔童鬧海》持續近半年的熱度。截至藍寶堅尼零件9月13日上午，該片票房已汽車冷氣芯衝破15.7億元，位列中國動畫電影票房榜第六汽車材料報價。《浪浪山小魔鬼》是《西游記》文本體系下的“番外篇”，講述小魔鬼們的“取經”故事。
《西游記》作為中國古典文學中最經得起改編的IP之一，光動畫片就有《年夜鬧天奧迪零件宮》《年夜圣歸來》等多個版本。往油氣分離器改良版年，IP改編游福斯零件戲《黑神話：悟空》更是火爆全球。
《浪汽車零件進口商汽車機油芯浪山小魔鬼》的焦點創作班底是速達地點的上海美術電影制片廠（簡稱“上美影”）。這支美術片的“王牌之師”曾創作過《年夜鬧天宮》《哪吒鬧海》等中國動畫傳世之作。《浪浪山小魔鬼》的藝術顧問速達說：“我們上美影有一個主旨，就是傳承中國動畫學派的精力，最基礎的就是將中國文明和中國哲思融進創作，從人物設定、故事講述，到美術應用，都會從中國文明泥土里吸取營養。”
中國動畫曾經驚艷國際動畫界，例如，20世紀80年月，《山川情》《鹿鈴》曾向全世界展現了中國水墨在美術片中的運用，水墨襯著技術爐火純青。速達說：“它打破了傳統動畫單線平涂的制作方法，大師都不了解是若何做出來的，展現了中國的意境之美、繪畫之美、思惟之美，在國際動畫界有目共睹。”
文｜記者 龔衛鋒
圖｜記者 劉暢
譯丨鄭奕玲
英文審校丨林佳岱
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